East to West Travels: a Review
An abundance of Lora Armbruster paintings in oil and acrylics fill the Back Room at the Hope Arts Gallery. From miniatures a few centimetres in dimension to almost picture-window size (with a price range to match, from $20-something to $1200), these scenes express a passion for travel and a love of Canadian landscape. They move from Annapolis to Niagara Falls, through abandoned prairie homesteads, Alberta Hoo Doos, to fallen rainforest totems and west coast lighthouses, interspersed with scenes at a beach, boat rentals on a lake, a lazy morning river, and colourful flora and fauna--hydrangeas, larkspur, tomatoes, red peony, cow parsnip, orchid, mixed bouquets, a magnificent owl, hens, a herd of powerful buffalo, and watchful antelope alert amongst the hay bales.
Armbruster identifies one of her goals as "using harmonious colour to communicate something to the viewer--feelings, memories, and more." Some of the paintings go beyond representations of nature's beauty, becoming wise commentaries upon the passage of time, the importance of memory and nostalgia. In 'All in Passing" a grandfather and grandson watch an old train slide by a row of elevators. An abandoned house almost disappears into a magnificent sunset in the same way that fallen totems sink into the "Land of Spirits".
At the well-attended opening May 4, Lora was introduced as: "She came to BC for the Commonwealth Games in 1954 and never went home." Audience reactions, ranging from envy to inspiration, is best summarized in another' painter's succinct comment: "Wow!"
East to West Travels stop in the Back Room at the Hope Arts Gallery, Hope, BC, from May 1 to May 28, 2008.
Tuesday, May 6, 2008
Saturday, April 5, 2008
April--Flora and Fauna
Flora and Fauna
A curvaceous slash of hot pink feathers greets you as you step into the room, the boa in its own way, with colour and natural medium, both separating and uniting the work of two painters, Sharon Blythe and J'nia Fowler, sharing the exhibition space with their Flora and Fauna.
Sharon's bold and exuberant "phat fairies" frolic in a martini glass, lounge in the pink luxury of petals in "Sleepy Afternoon" and "Catching a Few Rays". Her exquisite watercolour flora--lilies, hydrangea, thistle, grapes, as well as the matted paintings of bamboo and exotic birds--are a Canadian fusion, extrapolating upon the single-stroke Chinese brush painting style. Greeting cards of Sharon's work make her art accessible to everyone.
The flora theme repeats in J'nia Fowler's colourful northern landscapes where Van Gogh meets the Group of Seven. In these fifteen new acrylic paintings, she captures stormy skies, snowscapes, light, sunset, but also movement, emotion, mood. Her brush strokes suggest rather than replicate; her trees would make a grapple-hook want to hug instead. As a viewer, you know you want one of these canvases; you just cannot decide which to pick. The rapid development of J'nia's style since her last exhibit has commentators insisting that we will all be saying "I knew her when . . . "
Flora and Fauna inhabits the Backroom of the Hope Arts Gallery, Hope, BC from April 1to April 28, 2008.
March--Recent Works
Recent Works
Delicate and Serene are my 'first impressions' of Lori Motokado's large watercolours on display in the Hope Arts Gallery. An old boat docked in Harrison lures me through the hallway tunnel. In the Backroom, a dozen more familiar scenes. Boats in Nelson and Steveston. A casual display of battered trunks at the Kilby Museum in Harrison Mills suggests travel and a time warp. A toy wagon, a tricycle evoke nostalgia for a childhood of long ago. Another tricycle, stashed in the Kettle Valley Museum in Midway, is a streamlined rocket of the 1930s whose design is so fast and sleek and modern, it was way ahead of cool. The plant portraits—bamboo, an apple branch laden with blossoms, a frilled tulip bud, a blue balloon bursting to pop, all atop the palest suggestion of a wash—are images of transformation, capturing the moment when one thing becomes another.
Artifacts, horticulture, waterfronts are subjects and scenes which could be 'anywhere', yet the artist's graceful captions locate them specifically, while at the same time expanding upon her inspiration—“to make the ordinary extraordinary”. Indeed, as the images capture and hold our attention, we identify with the battered luggage and the abandoned toys which have moved from function to fondly forgotten. We too will cycle through stages, ages, places of storage; we will live in memory, evoke nostalgia. This art helps us feel more fully aware and thus, more fully alive. Everyday objects become iconic; the light and colour, translucent, luminous, numinous. Focusing on the beauty in which we live, these paintings are elegiac in the best sense—a mourning for our lost selves, a celebration of the way we were, a recognition of what is to come, and hope, in the buds of spring.
Lori Motokado lives in Coquitlam, British Columbia. Her recent watercolours hang in the Hope Arts Gallery Back Room from March 1 to 28, 2008.
Delicate and Serene are my 'first impressions' of Lori Motokado's large watercolours on display in the Hope Arts Gallery. An old boat docked in Harrison lures me through the hallway tunnel. In the Backroom, a dozen more familiar scenes. Boats in Nelson and Steveston. A casual display of battered trunks at the Kilby Museum in Harrison Mills suggests travel and a time warp. A toy wagon, a tricycle evoke nostalgia for a childhood of long ago. Another tricycle, stashed in the Kettle Valley Museum in Midway, is a streamlined rocket of the 1930s whose design is so fast and sleek and modern, it was way ahead of cool. The plant portraits—bamboo, an apple branch laden with blossoms, a frilled tulip bud, a blue balloon bursting to pop, all atop the palest suggestion of a wash—are images of transformation, capturing the moment when one thing becomes another.
Artifacts, horticulture, waterfronts are subjects and scenes which could be 'anywhere', yet the artist's graceful captions locate them specifically, while at the same time expanding upon her inspiration—“to make the ordinary extraordinary”. Indeed, as the images capture and hold our attention, we identify with the battered luggage and the abandoned toys which have moved from function to fondly forgotten. We too will cycle through stages, ages, places of storage; we will live in memory, evoke nostalgia. This art helps us feel more fully aware and thus, more fully alive. Everyday objects become iconic; the light and colour, translucent, luminous, numinous. Focusing on the beauty in which we live, these paintings are elegiac in the best sense—a mourning for our lost selves, a celebration of the way we were, a recognition of what is to come, and hope, in the buds of spring.
Lori Motokado lives in Coquitlam, British Columbia. Her recent watercolours hang in the Hope Arts Gallery Back Room from March 1 to 28, 2008.
February--Been There Done That
Been There Done That
Sheila Patzke’s Been There Done That opens the Hope Arts Gallery Backroom Exhibits for 2008. Langley resident Patzke’s vibrant acrylics and watercolours, often simple sketches in bold colours on generous white space, with an emphasis on line and curl, exude energy and enthusiasm. The variety of subject matter--florals, critters, landscapes, seascapes, still life, and people, people, people—are loosely collected around a ‘hurdy-gurdy’ saloon girl theme of follies and fun. With Barbie-long legs and scandalous costumes, the girls of the dance stage and bistro settings evoke both Toulouse-Lautrec and Degas. Patzke has added to the appeal of her show, two dozen paintings ranging from seventy to under five hundred dollars, by offering smaller versions of her works on greeting cards. Attractive portfolio binders provide a retrospective of her career. Her artist’s statement says simply that her creativity is inspired by things she sees. The comments in the guest book confirm that people in the crowd attending the opening were inspired by what they saw. An invocation to spring, a celebration of life lived, of joy, Been There Done That is in the Backroom of the Hope Arts Gallery in Hope, BC, from February 1 to February 28, 2008.
Sheila Patzke’s Been There Done That opens the Hope Arts Gallery Backroom Exhibits for 2008. Langley resident Patzke’s vibrant acrylics and watercolours, often simple sketches in bold colours on generous white space, with an emphasis on line and curl, exude energy and enthusiasm. The variety of subject matter--florals, critters, landscapes, seascapes, still life, and people, people, people—are loosely collected around a ‘hurdy-gurdy’ saloon girl theme of follies and fun. With Barbie-long legs and scandalous costumes, the girls of the dance stage and bistro settings evoke both Toulouse-Lautrec and Degas. Patzke has added to the appeal of her show, two dozen paintings ranging from seventy to under five hundred dollars, by offering smaller versions of her works on greeting cards. Attractive portfolio binders provide a retrospective of her career. Her artist’s statement says simply that her creativity is inspired by things she sees. The comments in the guest book confirm that people in the crowd attending the opening were inspired by what they saw. An invocation to spring, a celebration of life lived, of joy, Been There Done That is in the Backroom of the Hope Arts Gallery in Hope, BC, from February 1 to February 28, 2008.
Sunday, January 20, 2008
Douglas Coupland
Douglas Coupland
One of the good things about belonging to a book club is reading a writer new to me. The prize in this category for last year (2007) goes to Douglas Coupland’s HEY NOSTRADAMUS! It was my first Douglas Coupland, a much-published Vancouver writer and artist. This is the same Douglas Coupland credited with coining the ‘Generation X’ label. His GIRLFRIEND IN A COMA has been waiting in my TO-READ stack for several months, and his JPod is currently a series on CBC. How have I missed Coupland, reading as I have in CanLit for several decades? That fact that he seems somehow to be outside the CanLit sphere is a sad comment on our Left Coast and how disconnected we often feel to life east of the Rockies.
Although you would not guess as much from the title, HEY NOSTRADAMUS! is set very particularly in Canada, specifically in North Vancouver and the Fraser Valley. What is even better is the way Coupland uses place for purposes of plot, character development, and theme. His setting is the “Bible belt” and one of his themes seems to be the connection between religion and evil events in society (in this case, a school shooting in North Van and its effects on the four point-of-view characters). The shooting which initiates the action of the novel reminds us of Columbine but is certainly also alluding to similar shootings in Quebec, Ontario, Manitoba, and Alberta. This strikes me as a comment upon how the American-media filter through which we view pop culture and current events distances and separates us from our own Canadian reality.
The crucial role religion plays in the emotional and physical violence of HEY NOSTRADAMUS! is a brave theme for any writer. The title, linking us to a sixteenth century European visionary, forces us to confront the puzzle which many cultures ponder--whether we control our own destiny or whether everything is pre-ordained. The way Coupland has integrated the Sasquatch myth is also masterful. Sasquatch, the local Halkomelem name for the creature known elsewhere as Bigfoot, is part of the culture of the First People of this place and seems to represent, as it does in Eden Robinson’s MONKEY BEACH, the survival of Spirit / Magic / Wonder in a non-believing world.
Reading this book, enjoying it as much as I did, makes me wonder: Why isn’t Douglas Coupland even more celebrated? I did see him once, at a function at the Vancouver Museum, and realized as I listened in on a private conversation that it was the first time I had ever heard him speak. More recently, because of JPod and a new novel release, THE GUN THIEF, I’ve heard him interviewed on Sounds Like Canada and The Hour. It’s about time; we need more of this. We need our own Canadian Charlie Rose, someone not ashamed of “talking heads”, who will invite creative people (more than celebrities), cultural builders, eccentrics, and engage them in intelligent conversation upon which the rest of us can eavesdrop. Hey, Canada!
Check out Amazon.com for a list of titles and Coupland.com for a reveal of what the cover image represents.
Oops! 500 words
One of the good things about belonging to a book club is reading a writer new to me. The prize in this category for last year (2007) goes to Douglas Coupland’s HEY NOSTRADAMUS! It was my first Douglas Coupland, a much-published Vancouver writer and artist. This is the same Douglas Coupland credited with coining the ‘Generation X’ label. His GIRLFRIEND IN A COMA has been waiting in my TO-READ stack for several months, and his JPod is currently a series on CBC. How have I missed Coupland, reading as I have in CanLit for several decades? That fact that he seems somehow to be outside the CanLit sphere is a sad comment on our Left Coast and how disconnected we often feel to life east of the Rockies.
Although you would not guess as much from the title, HEY NOSTRADAMUS! is set very particularly in Canada, specifically in North Vancouver and the Fraser Valley. What is even better is the way Coupland uses place for purposes of plot, character development, and theme. His setting is the “Bible belt” and one of his themes seems to be the connection between religion and evil events in society (in this case, a school shooting in North Van and its effects on the four point-of-view characters). The shooting which initiates the action of the novel reminds us of Columbine but is certainly also alluding to similar shootings in Quebec, Ontario, Manitoba, and Alberta. This strikes me as a comment upon how the American-media filter through which we view pop culture and current events distances and separates us from our own Canadian reality.
The crucial role religion plays in the emotional and physical violence of HEY NOSTRADAMUS! is a brave theme for any writer. The title, linking us to a sixteenth century European visionary, forces us to confront the puzzle which many cultures ponder--whether we control our own destiny or whether everything is pre-ordained. The way Coupland has integrated the Sasquatch myth is also masterful. Sasquatch, the local Halkomelem name for the creature known elsewhere as Bigfoot, is part of the culture of the First People of this place and seems to represent, as it does in Eden Robinson’s MONKEY BEACH, the survival of Spirit / Magic / Wonder in a non-believing world.
Reading this book, enjoying it as much as I did, makes me wonder: Why isn’t Douglas Coupland even more celebrated? I did see him once, at a function at the Vancouver Museum, and realized as I listened in on a private conversation that it was the first time I had ever heard him speak. More recently, because of JPod and a new novel release, THE GUN THIEF, I’ve heard him interviewed on Sounds Like Canada and The Hour. It’s about time; we need more of this. We need our own Canadian Charlie Rose, someone not ashamed of “talking heads”, who will invite creative people (more than celebrities), cultural builders, eccentrics, and engage them in intelligent conversation upon which the rest of us can eavesdrop. Hey, Canada!
Check out Amazon.com for a list of titles and Coupland.com for a reveal of what the cover image represents.
Oops! 500 words
Tuesday, January 8, 2008
AVERAGE
AVERAGE
The prompt for this first filing of 2008 is “average”. Aspiring to be average. It comes from that feeling of being somehow different, labeled the dreaded “eccentric”, somewhere between “off” (off centre) and “crazy”.
I was reading in a Globe & Mail at the coffee shop that the average Canadian reader read 34 books last year, 2007. That makes me almost “average”! The 36 books I read in 2007 means that my list is down by more than a dozen; my usual annual page-turning achievement hovers around 50. Why was this last year so “down” for me? Too busy? Too much TV? Both of the above, plus more days away from home than usual, and more days home but otherwise engaged. With the gift of guests. With joining the artists guild and all that goes with it--preparing photos to frame and hang, making cards to sell, prep for workshops and craft sale, attending meetings and openings. The second half of my year included a fascinating writing project, and, a new experience for me, hosting an international student here in Canada to learn English. Excuses. Excuses. But what they all have in common is “too busy living” to read about other people living. Resolve #1: this new year, I will make the time to read more.
I’ve been averaging, in previous postings, over 1000 words per blog. Perhaps length is one reason why sitting down to blog seems intimidating. Perhaps my average needs adjusting. Yet the most depressing thing I heard last year is that a blog should be 200 words long, 250 max. 200 words? You can not be serious. No, I mean, how can one be serious in 200 words. Not enough time to think; not enough space to develop a thought. 200 words is an ad. Amusing perhaps, manipulative, targeted, with one point. OK. Better than 2000 words with no point. Resolve #2: I will write 200 words. I will continue to protect the Eartha persona, and to honour the anonymity and dignity of family, friends, clients, and acquaintances. Resolve #3: I will post weekly.
Eccentric Quote: “Precisely because the tyranny of opinion is such as to make eccentricity a reproach, it is desirable, in order to break through that tyranny, that people should be eccentric. Eccentricity has always abounded when and where strength of character has abounded; and the amount of eccentricity in a society has generally been proportional to the amount of genius, mental vigor, and moral courage it contained. That so few dare to be eccentric marks the chief danger of the time.” – John Stuart Mill (79 words)
The prompt for this first filing of 2008 is “average”. Aspiring to be average. It comes from that feeling of being somehow different, labeled the dreaded “eccentric”, somewhere between “off” (off centre) and “crazy”.
I was reading in a Globe & Mail at the coffee shop that the average Canadian reader read 34 books last year, 2007. That makes me almost “average”! The 36 books I read in 2007 means that my list is down by more than a dozen; my usual annual page-turning achievement hovers around 50. Why was this last year so “down” for me? Too busy? Too much TV? Both of the above, plus more days away from home than usual, and more days home but otherwise engaged. With the gift of guests. With joining the artists guild and all that goes with it--preparing photos to frame and hang, making cards to sell, prep for workshops and craft sale, attending meetings and openings. The second half of my year included a fascinating writing project, and, a new experience for me, hosting an international student here in Canada to learn English. Excuses. Excuses. But what they all have in common is “too busy living” to read about other people living. Resolve #1: this new year, I will make the time to read more.
I’ve been averaging, in previous postings, over 1000 words per blog. Perhaps length is one reason why sitting down to blog seems intimidating. Perhaps my average needs adjusting. Yet the most depressing thing I heard last year is that a blog should be 200 words long, 250 max. 200 words? You can not be serious. No, I mean, how can one be serious in 200 words. Not enough time to think; not enough space to develop a thought. 200 words is an ad. Amusing perhaps, manipulative, targeted, with one point. OK. Better than 2000 words with no point. Resolve #2: I will write 200 words. I will continue to protect the Eartha persona, and to honour the anonymity and dignity of family, friends, clients, and acquaintances. Resolve #3: I will post weekly.
Eccentric Quote: “Precisely because the tyranny of opinion is such as to make eccentricity a reproach, it is desirable, in order to break through that tyranny, that people should be eccentric. Eccentricity has always abounded when and where strength of character has abounded; and the amount of eccentricity in a society has generally been proportional to the amount of genius, mental vigor, and moral courage it contained. That so few dare to be eccentric marks the chief danger of the time.” – John Stuart Mill (79 words)
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