Showing posts with label Louise Erdrich. Show all posts
Showing posts with label Louise Erdrich. Show all posts

Monday, December 12, 2016

Love Medicine

Louise Erdrich. Love Medicine. HarperPerennial, 1993.


With Love Medicine, a first novel, Louise Erdrich won the National Book Critics Circle Award in 1984. She has since published two dozen more best-selling novels. My favourite so far has been The Painted Drum. Erdrich has also revised, re-sequenced, and expanded Love Medicine. The copy I found at Amethyst Books in Chilliwack, BC, was published in 1993.

This novel is set on a Chippewa reservation in North Dakota. It appears to have begun as short stories, of several generations of characters, many speaking in the first person. They are linked by setting, and by secrets of the blood connections (including inherited physical features and inherited gifts or skills).

This novel took me way too long to read. Partly because of my own proofreading and admin responsibilities, for Embers (available on Amazon.ca and Amazon.con). And partly because the story was not strong enough to pull me back and into it. Told in multiple voices, over multiple periods of time, I felt confused, lost. I was not sure why. 

However, the beauty of the writing, the illumination of the characterizations, made me want to continue. The chapter titles, especially the interior titles which gave the date (the year this story's events happened) were helpful, but not enough. Sometimes too I worried about the stereotypes - drunkenness, promiscuity, cruel nuns, criminals, politicians - and especially the old "father's day on the reserve" joke which always seems to me to be an outsider view judging and othering others. Maybe she is trying to shatter stereotypes by focussing on the individual humanity of each character. I think that must be it.

Mostly I just kept asking myself: Now, who is this? I don't like having to make notes in order to keep the stories straight, nor to follow a genealogical chart, although that would spoil some of the revelations. A chart would take away the impact of some of the stories because many of the characters do not know who their real parents are and the epiphany of finding out is part of their personal identity quest.

Interesting insights, offerings (not sure I believe them but . . . ) about the way a women with eight children by eight different fathers thinks, and the way an adopted child feels. I would think that Love Medicine is a must-read on any Native North American literature curriculum. 

Check out also the links (store, blog, newsletter) on birchbarkbooks.com. 

Tuesday, February 2, 2016

Shadow Tag

Louise Erdrich Shadow Tag 

I finally found some Louise Erdrich books in Bellingham last year, gifts again. I read 3. The Painted Drum. (My favourite. Like that old John Buchan book, The Path of the King, about the spirit which transfers with a family object, the sacred duty which comes along with sacred possessions.) The Round House. The Bingo Palace. I noticed a definite development in style as LE has been publishing for over 20 years. I love the books because they meet my preference of Canadian or almost Canadian.* These stories are set on a reservation in North Dakota, very close to my home of Manitoba. LE now lives in Minneapolis and owns the Birchbark Bookstore. 

I picked up this Shadow Tag book at a library book sale and read it quickly in order to be able to pass the complete stack along to another avid reader. Shadow Tag is a sad and disturbing story of a marriage gone wrong, between a painter Gil and his model Irene. There are interesting subtexts about the modelling relationship (posing ensures distance, the gaze is a way of seeing and not seeing at the same time.) About George Catlin and the portrayal of First Nations in art. About alcohol as a means of controlling others and evading personal responsibility. And about the Jungian idea of our "shadow" and of healthy (embracing) and unhealthy (detached, projecting) relationships with it. Interesting, but, wherever a bad marriage and children are involved, predictably sad.

* (Other "almost-Canadian" writers, whose territory borders Canada: David Guterson, Snow Falling On Cedars (set in Pacific NW, filmed in Greenwood, BC). Marilynne Robinson, Housekeeping and Gilead, set in Idaho. Housekeeping was filmed in Nelson, BC. Gary Snyder, grew up in the Skagit Valley. Riprap and Cold Mountain Poems, The Back Country. The Practice of the Wild. Jack Kerouac, The Dharma Bums, Desolation Angels, set in the Cascade Mountains, south of Hope, BC. Richard Ford, Canada, set in Montana and Saskatchewan.



WE LOVE ANDERSON COOPER

 R.L. Maizes. WE LOVE ANDERSON COOPER. Celadon, 2019. A collection of short stories. Mostly American. Many with Jewish cultural references....