Showing posts with label Leonard Cohen. Show all posts
Showing posts with label Leonard Cohen. Show all posts
Sunday, June 10, 2018
THE SONG OF LEONARD COHEN
Harry Rasky. The Song of Leonard Cohen. Mosaic, 2001.
An account of interactions between filmmaker Rasky and singer songwriter Cohen while making a film of a concert tour. Some insights in the poet's answers to probing questions. Additional information about an aborted film of Dylan in the early '70s. This slim volume will take its place along my 'sacred texts' shelf.
Saturday, August 5, 2017
God Is Alive Magic Is Afoot
Leonard Cohen. God Is Alive Magic Is Afoot: from the novel Beautiful Losers. Stoddart, 2000. Illustrations by Sarah Perkins & Ian Jackson.
An absolutely beautiful gift, art inspired by this excerpt made famous by Buffy St Marie from Cohen's experimental novel.
An absolutely beautiful gift, art inspired by this excerpt made famous by Buffy St Marie from Cohen's experimental novel.
Wednesday, February 8, 2017
Beautiful Losers
Leonard Cohen. Beautiful Losers. Viking, 1966. Bantam, 1967.
How many times have I read this novel trying to figure out some meaning?
How many times have I read this novel trying to figure out some meaning?
Saturday, August 13, 2016
Various Positions
Ira B.
Nadel. Various Positions: A Life of Leonard Cohen. Random House of
Canada, 1996.
Thanks
to my friend Nancy for lending me her copy of this biography. She
beat me to it at Baker Books, so it is still on my TO FIND list.
Nadel's
is a very different approach from the recent musical bio A Remarkable
Life I just read. I must say that there are things in this book,
Various Positions, which I wish I did not know. The drug use,
depression, sexual obsessions (females as object and muse,
reminiscent of Picasso), and the artist's painful struggle - the
tensions between everyday family/business life and literary calling
and spiritual yearning. It seems to me that it is we, the loyal fans,
who are the winners here.
A lot
has happened in the 20 years since the publication of this book,
including 9/11 and the 2010 Olympics. The best for me is the fact
that Leonard is still with us, and still gracing us with regular new
releases including: Popular Problems, and Can't Forget.
Wednesday, June 29, 2016
Leonard Cohen: A Remarkable Life
June 29, 2016
Anthony Reynolds' Leonard Cohen: A Remarkable Life. Omnibus, 2010.
Anthony Reynolds' Leonard Cohen: A Remarkable Life. Omnibus, 2010.
Leonard
Cohen has been my passion since before I was an adult. I've attended
two concerts, the first at university in Winnipeg in 1966 or '67. I
have the novels, much poetry, the collected songs, CDs, DVDs,
clippings, e-notifications. Yet it is never enough. And there are
still bios I have not read. More reason to live.
This
one, Leonard Cohen: A Remarkable Life by Anthony Reynolds, is aimed
at musicians. The emphasis is on the recordings and recordings
sessions. Less about the origins of the songs. Although we are told
of the two Suzannes, that "Democracy" was in response to
the Berlin Wall, and that Field Commander Cohen was more about
himself, volunteering to entertain troops, than about his father who
was a World War I veteran. It's these tidbits which interest me more
than the names of behind-the-scenes artistic collaborators.
Unfortunately,
there are too many things about this book that irk me. I even checked
to see whether it is self-published as there seems to be a total lack
of both line editing and copyediting. There is an abundance of
quotations but absolutely no citations, especially for the words put
into Cohen's mouth. I cannot believe that the writer actually
interviewed his subject. Aside from the technical issues of punctuation and
grammar, what annoys an old and loyal fan is the seeming lack of
understanding of so many things which inform the artist and his
music. With the exception of a bit about the record-making business,
there is nothing here about context. Jewishness or Jewish humour.
Nothing about Montreal, or Quebec, or French-speaking Canada, or
Canada itself.
Reynolds is identified on the book jacket as "born in the early 1970s" and "living in Wales." I can forgive the condescension of youth, and the fact of a European ignorance of "the other side" of the world. I can forgive that he doesn't get the sense of humour until it is much too late. I choose not to forgive the ageism. Search the text for the term "geezer" and you'll understand what I mean.
Reynolds is identified on the book jacket as "born in the early 1970s" and "living in Wales." I can forgive the condescension of youth, and the fact of a European ignorance of "the other side" of the world. I can forgive that he doesn't get the sense of humour until it is much too late. I choose not to forgive the ageism. Search the text for the term "geezer" and you'll understand what I mean.
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