Richard Wagamese. Embers: One Ojibway's Meditations. Douglas & McIntyre, 2016.
I followed Richard Wagamese's Facebook posts and it is so good to re-read them in this attractive collection which feels so good to touch. So sad to think that we will not hear his voice again.
Sunday, July 2, 2017
Friday, June 30, 2017
Lady Chatterley's Lover
D.H. Lawrence. Lady Chatterley's Lover. 1928. Arcturus, 2010.
Found this beautiful slip-covered edition at a Value Village and just the feel of it inspired me to re-read this classic.
Summer re-reading. What will be different when I re-read this, DHL's last novel, fifty years later?
I still find his language a bit wordy, but so sincere. Sincerely averse to industrial ugliness and its ravages on the land and the workers. Sincerely passionate about the beauty of nature and about our human place within that flower-strewn green natural world. So sad that the public were blinded by the sex and oblivious to the true obscenities which Mellors was trying to hide from, and Lawrence was trying to raise awareness about.
Found this beautiful slip-covered edition at a Value Village and just the feel of it inspired me to re-read this classic.
Summer re-reading. What will be different when I re-read this, DHL's last novel, fifty years later?
I still find his language a bit wordy, but so sincere. Sincerely averse to industrial ugliness and its ravages on the land and the workers. Sincerely passionate about the beauty of nature and about our human place within that flower-strewn green natural world. So sad that the public were blinded by the sex and oblivious to the true obscenities which Mellors was trying to hide from, and Lawrence was trying to raise awareness about.
Saturday, June 24, 2017
Wiener Dog Art: A Far Side Collection
Gary Larson. Wiener Dog Art: A Far Side Collection. 1990.
I do miss Gary Larson.
Thanks to the free shelf, Nuggets Books, Chilliwack, BC.
I do miss Gary Larson.
Thanks to the free shelf, Nuggets Books, Chilliwack, BC.
Thursday, June 22, 2017
Mud Woman: Poems from the Clay
June 21, 2017
Nora Naranjo-Morse. Mud Woman: Poems from the Clay. U Arizona, 1992.
A delightful collection of poetry and art, about creativity and identity.
Nora Naranjo-Morse. Mud Woman: Poems from the Clay. U Arizona, 1992.
A delightful collection of poetry and art, about creativity and identity.
Tuesday, June 20, 2017
The Chilliwack Story
The Chilliwack Story. Ron Denman, Editor. Chilliwack Museum and Historical Society, 2007.
Very well organized, with a focus on archival photographs. Very interesting local history coffee table book, encompassing some of the First Nations reserves as well as the villages and communities which grew into a city surrounding them.
Very well organized, with a focus on archival photographs. Very interesting local history coffee table book, encompassing some of the First Nations reserves as well as the villages and communities which grew into a city surrounding them.
Thursday, June 15, 2017
Ireland In Poetry
Ireland In Poetry: With Paintings, Drawings, Photographs, and Other Works of Art. Charles Sullivan, Editor. Abrams, 1990.
An incredibly beautiful collection.
An incredibly beautiful collection.
Sunday, June 11, 2017
Carrying the Shadow
June 10, 2017
Patrick Friesen. Carrying the Shadow. Porcepic, 1999.
Reading Carrying the Shadow is like walking through a graveyard with Patrick and eavesdropping on the conversations he has. It is wonderful. I like it almost more than You Don't Get to Be a Saint. And I think I have found in it a poem that gave me goosebumps when I heard Patrick read it at a Word on the Street, about a dead man with an open blue eye--"the man who licked stones." But it is these lines, from "poem for a father" which make me want to quote and re-read:
I've watched him [a boy] on the beach
digging among the rocks
stopping to stare across the water
he doesn't know what he's looking for
it'a a code in his bones
that drives him toward memory (p. 64)
Patrick Friesen. Carrying the Shadow. Porcepic, 1999.
Reading Carrying the Shadow is like walking through a graveyard with Patrick and eavesdropping on the conversations he has. It is wonderful. I like it almost more than You Don't Get to Be a Saint. And I think I have found in it a poem that gave me goosebumps when I heard Patrick read it at a Word on the Street, about a dead man with an open blue eye--"the man who licked stones." But it is these lines, from "poem for a father" which make me want to quote and re-read:
I've watched him [a boy] on the beach
digging among the rocks
stopping to stare across the water
he doesn't know what he's looking for
it'a a code in his bones
that drives him toward memory (p. 64)
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